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Museums near Apollinary Vasnetsov Museum

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
When I go
We show those open on at least one of the days chosen. Today is Friday.
Who with
One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
What to see
Access
The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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What sets it apart
Showing 44 museums

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Nearest museums · 44
Architecture and estates · since 1955

The Kremlin Cathedrals

world-class
The Kremlin Cathedrals
Pedro Szekely, CC BY-SA 2.0 · Wikimedia Commons
The iconostasis of the Annunciation Cathedral is linked with the names of Theophanes the Greek, Andrei Rublev and Prokhor of Gorodets: the chronicle for 1405 names them as the painters of this church, though whether the present icons are that same work is still argued. Such a conjunction of names exists nowhere else. And the difference from any museum of icons is one of principle: the things stand where they stood, in the light and the space they were painted for — as the glass at Canterbury is one thing in the window and quite another in a case. What is not here is explanation: the cathedrals carry almost no labels and are meant for someone who already knows, or who came with a guide.

The deesis tier of the Annunciation Cathedral. The frescoes of the Dormition Cathedral, 1642–1644, and its iconostasis; there too the oldest icons, brought to Moscow as the lands were gathered in. The tombs of the Moscow princes and tsars in the Archangel Cathedral, painted 1652–1666. The Patriarch’s Palace: applied art and the household of the seventeenth century.

The Mosco it selfe is great: I take the whole towne to bee greater then London with the suburbes: but it is very rude, and standeth without all order. […] There is a faire Castle, the walles whereof are of bricke, and very high…
Richard Chancellor, 1589 in full
2.5 km from here · The Moscow Kremlin, Cathedral Square (entrance through the Kutafya Tower) · ·
· No. 60
Art · since 1817

The Manege

significant
The Manege
Bernt Rostad uploaded and derivative work: MrPanyGoff, CC BY 2.0 · Wikimedia Commons
There is no collection; the value is entirely engineering — a column-free span of nearly 45 metres calculated by Betancourt, a monument of engineering thought with few equals in Europe. Everything else here is temporary.

The building itself: a column-free hall spanned by timber trusses of almost 45 metres, calculated by the engineer Agustín de Betancourt — a rare monument of engineering.

2.6 km from here · Manezhnaya Square 1 ·
· No. 19
Unusual · since 2009

The Chocolate Museum

niche
The Chocolate Museum
An industrial tour rather than a museum: the value is the walk into the working shop and the history of Einem. As a collection it is next to nothing, and we do not hide that.

A walk into the working shop where sweets are wrapped in front of you; the history of Einem and Krasny Oktyabr in original wrappers and advertising.

2.6 km from here · Malaya Krasnoselskaya 7 (entrance from Lobachika 1, bldg 1) · ·
· No. 41
significant
The Museum of Decorative Art
shakko, CC BY-SA 3.0 · Wikimedia Commons
Lacquer miniature of four schools and propaganda porcelain — the objects by which Russia is recognisable in world decorative art. The material is first-rate; the display is not up to it.

Lacquer miniature — Palekh, Fedoskino, Mstyora, Kholuy; Soviet propaganda porcelain; toys of the peoples of the world; embroidery and samovars.

2.8 km from here · Delegatskaya 3, bldg 1 · ·
· No. 32
outstanding
The Museum of Architecture
SergeyStepykin, CC BY-SA 3.0 · Wikimedia Commons
The only museum of architecture in Russia and one of the few in the world. It holds fragments of demolished buildings — reliefs from the Cathedral of Christ the Saviour, details of the Sukharev Tower: things that exist nowhere else because the buildings do not.

The enfilade of the Talyzin house with its exhibitions; the Apothecary Office, 17th-century chambers where fragments of demolished Moscow buildings are shown; models of unbuilt projects, including material on the Palace of the Soviets.

2.9 km from here · Vozdvizhenka 5/25 · ·
· No. 53
for enthusiasts
The Museum of Contemporary History
The collection is large, but the display is built ideologically and is unreliable as a source of knowledge — we say so plainly. The value is the building: this is the Moscow English Club, the one from the novels, and some objects such as the propaganda porcelain.

The building of the Moscow English Club — the club of Eugene Onegin and War and Peace, with the lions on its gate; Soviet propaganda porcelain; the collection of gifts to Stalin.

3.0 km from here · Tverskaya 21 · ·
· No. 28
significant
The Tretyakov on Kadashevskaya
Ludvig14, CC BY-SA 4.0 · Wikimedia Commons
Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

3.0 km from here · Kadashevskaya Embankment 12 · ·
· No. 55
Art · since 1856

The Tretyakov Gallery

world-class
The Tretyakov Gallery
A.Savin, CC BY-SA 3.0 · Wikimedia Commons
Russian art of the 11th to early 20th century is nowhere else assembled so fully — only the Russian Museum compares. But the canon was formed here: Tretyakov bought from living artists what he himself thought mattered, and one man’s private judgement became what we now call the Russian school. Seeing the 19th century elsewhere means seeing fragments.

Ivanov’s The Appearance of Christ Before the People in its own hall; Surikov’s Boyarynya Morozova and Morning of the Streltsy Execution; Repin’s Ivan the Terrible and His Son; Serov’s Girl with Peaches; Vasnetsov’s Bogatyrs; the icon halls. Rublev’s Trinity is no longer here: it was handed to the Church in 2023.

3.1 km from here · Lavrushinsky Lane 10 · ·
· No. 1
outstanding
The Museum of Oriental Art
Panther, CC BY-SA 3.0 · Wikimedia Commons
Western museums of the East were formed by colonial routes; this collection grew out of nationalised private collections and Soviet expeditions. Hence the Central Asian, Caucasian, Buryat and Chukchi sections that London and Paris lack: there the East begins with India and Egypt, here with what lay inside the country and next to it. That is the reason to come.

Central Asian and Caucasian carpets and metalwork transferred from the State Museum Fund; Iranian Qajar painting and tilework; Chinese bronze and porcelain, Japanese prints; a Korean section rare for Russia; Buddhist sculpture of Buryatia and Mongolia.

3.2 km from here · Nikitsky Boulevard 12a · ·
· No. 43
Unusual · since 1912

The Museum of Music

outstanding
The Museum of Music
shakko, CC BY-SA 3.0 · Wikimedia Commons
One of the largest collections of musical instruments in the world and the only place in Russia where the instrument is shown as an object of history. One can go from horn and gusli to Murzin’s synthesiser, named with Scriabin’s initials — the machine on which the music for Solaris was written. Here too is kept the State Collection of unique instruments: Stradivari, Guarneri, Amati. The Horniman shows the instrument as ethnography and the Royal College of Music shows it as performance history; here both lines run in one room, and the electronic one continues them. One thing must be known: the collection is a working one, instruments are lent to musicians, and they are not always to be found in the case.

Instruments of the peoples of the world, from Russian gusli to the Japanese koto. The ANS synthesiser of Yevgeny Murzin, named with Scriabin’s initials. Autographs and manuscripts of Russian composers. The State Collection of stringed instruments, when it is in the museum.

3.3 km from here · Fadeyeva Street 4
· No. 65

5 museums have no point set. They are not in this count.