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Museums near Ostankino

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Friday.
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One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
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The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Showing 33 museums

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Nearest museums · 33
History · since 1806

The Armoury Chamber

world-class
The Armoury Chamber
Ludvig14, CC BY-SA 3.0 · Wikimedia Commons
A treasury formed by keeping rather than by collecting: things entered as the sovereign’s property or as an embassy gift, and so came through where in Europe they went to the crucible. English silver of the sixteenth and seventeenth centuries stands here more fully than in England itself — the royal plate at home was melted under the Commonwealth, while what had been sent to Moscow was never touched. Neither the Tower nor the Victoria and Albert can be as complete about that English century as this room in Moscow. There is no painting here at all: this is a chamber of objects.

The Cap of Monomakh and the double throne of the boy tsars Ivan and Peter. Tudor and Stuart silver, a holding with no equal anywhere. Fabergé Easter eggs. Icon covers, panagias and chalices of pre-Mongol Rus. The carriage rooms: coronation coaches of the eighteenth century.

8.1 km from here · The Moscow Kremlin (entrance through the Kutafya Tower) · ·
· No. 59
History · since 1859

The Romanov Chambers

significant
The Romanov Chambers
Ludvig14, CC BY-SA 3.0 · Wikimedia Commons
One of the first museums in Russia: it opened in 1859, thirteen years before the Historical Museum, and opened already as a reconstruction of boyar life — an idea unheard of at the time. What is to be looked at is not authenticity down to the nail but the conception itself: how the middle of the nineteenth century pictured the seventeenth, and what came of it. Barry and Pugin were building Westminster in those same decades, and the case is the same — a century imagining an earlier one and building it in earnest. The collection meanwhile is real: furniture, vessels, textiles, tiles. Together with the Old English Court two steps away, this is the best pair in Moscow about the city before Peter.

The sixteenth-century undercroft, the one genuine part of the building. The interiors recreated by Richter in the 1850s: the dining chamber, the boyarynya’s room, the light room. Tiled stoves, chests, vessels and textiles of the seventeenth century.

8.1 km from here · Varvarka Street 10 ·
· No. 77
History · since 1994

The Old English Court

significant
The Old English Court
O.Bragina, CC BY-SA 3.0 · Wikimedia Commons
The oldest surviving secular building in Moscow. The value is in the vaults themselves: almost no 16th-century interiors are left in the city, and these were recovered by Baranovsky, the restorer who saved half of it.

The Treasury Chamber with its 16th–17th-century interior and the original vaults; the display on Russian–English trade and finds from the Zaryadye digs.

And we came to the Mosco the 4. day of October, and were lodged that night in a simple house: but the next day we were sent for to the Emperour his secretarie…
George Killingworth, 1589 in full
8.1 km from here · Varvarka 4a (Zaryadye Park) · ·
· No. 18
Architecture and estates · since 1955

The Kremlin Cathedrals

world-class
The Kremlin Cathedrals
Pedro Szekely, CC BY-SA 2.0 · Wikimedia Commons
The iconostasis of the Annunciation Cathedral is linked with the names of Theophanes the Greek, Andrei Rublev and Prokhor of Gorodets: the chronicle for 1405 names them as the painters of this church, though whether the present icons are that same work is still argued. Such a conjunction of names exists nowhere else. And the difference from any museum of icons is one of principle: the things stand where they stood, in the light and the space they were painted for — as the glass at Canterbury is one thing in the window and quite another in a case. What is not here is explanation: the cathedrals carry almost no labels and are meant for someone who already knows, or who came with a guide.

The deesis tier of the Annunciation Cathedral. The frescoes of the Dormition Cathedral, 1642–1644, and its iconostasis; there too the oldest icons, brought to Moscow as the lands were gathered in. The tombs of the Moscow princes and tsars in the Archangel Cathedral, painted 1652–1666. The Patriarch’s Palace: applied art and the household of the seventeenth century.

The Mosco it selfe is great: I take the whole towne to bee greater then London with the suburbes: but it is very rude, and standeth without all order. […] There is a faire Castle, the walles whereof are of bricke, and very high…
Richard Chancellor, 1589 in full
8.3 km from here · The Moscow Kremlin, Cathedral Square (entrance through the Kutafya Tower) · ·
· No. 60
House museums · since 1922

The Scriabin Museum

significant
A flat from which nothing was carried out: Scriabin rented it for his last three years and died here in 1915, and it became a museum in 1922 — almost without a gap. Furniture, books, piano and the fittings of the study are the very ones. But the chief thing is another: Scriabin conceived music together with light, and the trace of that conception survives in the flat — the colour score of Prometheus and the light apparatus. No other composer’s museum in Russia shows the idea and not merely the domestic life.

The Bechstein grand at which the last works were written. The study and the library with the owner’s markings. The colour score of Prometheus and the colour-light apparatus assembled to his design. A concert hall in the same house.

8.4 km from here · Bolshoy Nikolopeskovsky Lane 11
· No. 76
world-class
The Pushkin Museum of Fine Arts
user:Ghirlandajo, CC BY-SA 3.0 · Wikimedia Commons
The Louvre and the Metropolitan hold more originals; what is unique is Tsvetaev’s cast collection — the only large teaching museum of the history of art in the world still intact and still working as intended. In Europe such collections went into storage in the 20th century. Add the Fayum portraits and objects from Schliemann’s Trojan hoards.

The teaching collection of plaster casts after antique and Renaissance sculpture — Tsvetaev’s idea, unmatched for completeness; the Fayum portraits; objects from Priam’s Treasure found by Schliemann at Troy; the Egyptian collection. The French 19th–20th century is in the Gallery at Volkhonka 14, on a separate ticket.

8.7 km from here · Volkhonka 12 · ·
· No. 20
outstanding
The Museum of the Russian Icon
Museum of the Russian icon, CC BY-SA 3.0 · Wikimedia Commons
For Ethiopian Christian art it is the only collection in Russia; for the Russian icon it competes with state museums. Add a circumstance almost unheard of anywhere in the world for a collection of this level: admission is free.

The Russian icon of the 14th to 20th century, from Novgorod panels to Old Believer painting; Ethiopian Christian art, the only such collection in Russia; a reconstructed iconostasis and post-Byzantine Greek icons.

9.0 km from here · Goncharnaya 3, bldg 1 · ·
· No. 54
Literature · since 1957

The Pushkin Museum on Prechistenka

significant
The Pushkin Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
There is no memorial Pushkin house in Moscow — he did not live here. The value is not authentic walls but a complete age: objects, books and portraits from which the Pushkin era can be reconstructed whole. For relics go to the Moika in Petersburg; for the era, here.

The permanent displays Pushkin and His Age (fifteen rooms of the manor house) and Pushkin’s Fairy Tales; first editions, portraits of his circle, everyday objects of the early 19th century.

9.1 km from here · Prechistenka 12/2 ·
· No. 2
Art · since 1947

The Rublev Museum

outstanding
The Rublev Museum
Pegushev, CC BY-SA 3.0 · Wikimedia Commons
The third collection of Russian icons after the Tretyakov and the Russian Museum, and the only one built as a museum of one subject: here the icon does not stand in a row of Russian art but is explained in itself, from the board and the gesso to the iconography. The holding was formed from things brought out by the museum’s expeditions from closed and ruined churches, and its value is the completeness of the line rather than single stars: famous names are almost absent, but the sequence runs unbroken from the thirteenth century to the seventeenth. In Britain icons are met in ones and twos, in Byzantine rooms and in the trade; a museum where the subject has a building of its own does not exist there. The monastery’s Saviour Cathedral, in which all this stands, is the oldest surviving building in Moscow.

Icons of the thirteenth to seventeenth centuries, gathered by the museum’s own expeditions. Royal doors and whole iconostasis sets. Fragments of wall painting. The Saviour Cathedral of the 1420s — the oldest building in Moscow, with remains of ornamental painting associated with Rublev.

9.1 km from here · Andronyevskaya Square 10 · ·
· No. 61
significant
The Tretyakov on Kadashevskaya
Ludvig14, CC BY-SA 4.0 · Wikimedia Commons
Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

9.1 km from here · Kadashevskaya Embankment 12 · ·
· No. 55

5 museums have no point set. They are not in this count.