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Museums near The Romanov Chambers

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How much time
We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
When I go
We show those open on at least one of the days chosen. Today is Friday.
Who with
One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
What to see
Access
The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
How valuable
What sets it apart
Showing 47 museums

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Map — OpenStreetMap

Nearest museums · 47
for enthusiasts
The Museum of Contemporary History
The collection is large, but the display is built ideologically and is unreliable as a source of knowledge — we say so plainly. The value is the building: this is the Moscow English Club, the one from the novels, and some objects such as the propaganda porcelain.

The building of the Moscow English Club — the club of Eugene Onegin and War and Peace, with the lions on its gate; Soviet propaganda porcelain; the collection of gifts to Stalin.

2.4 km from here · Tverskaya 21 · ·
· No. 28
Art · since 1986

The New Tretyakov

world-class
The New Tretyakov
Tretyakovgallery, CC BY-SA 4.0 · Wikimedia Commons
The Russian avant-garde is the one Russian artistic system to enter the world canon on equal terms, and its largest collection is here. MoMA and the Pompidou show Malevich and Tatlin torn from their setting; here they hang beside what they rebelled against, which changes the reading.

Malevich’s Black Square, Petrov-Vodkin’s Bathing of a Red Horse, work by Kandinsky, Chagall, Goncharova and Larionov, the model of Tatlin’s Tower. Next door: the Muzeon park of dismantled Soviet monuments.

2.5 km from here · Krymsky Val 10 · ·
· No. 5
House museums · since 1922

The Scriabin Museum

significant
A flat from which nothing was carried out: Scriabin rented it for his last three years and died here in 1915, and it became a museum in 1922 — almost without a gap. Furniture, books, piano and the fittings of the study are the very ones. But the chief thing is another: Scriabin conceived music together with light, and the trace of that conception survives in the flat — the colour score of Prometheus and the light apparatus. No other composer’s museum in Russia shows the idea and not merely the domestic life.

The Bechstein grand at which the last works were written. The study and the library with the owner’s markings. The colour score of Prometheus and the colour-light apparatus assembled to his design. A concert hall in the same house.

2.5 km from here · Bolshoy Nikolopeskovsky Lane 11
· No. 76
Art · since 1947

The Rublev Museum

outstanding
The Rublev Museum
Pegushev, CC BY-SA 3.0 · Wikimedia Commons
The third collection of Russian icons after the Tretyakov and the Russian Museum, and the only one built as a museum of one subject: here the icon does not stand in a row of Russian art but is explained in itself, from the board and the gesso to the iconography. The holding was formed from things brought out by the museum’s expeditions from closed and ruined churches, and its value is the completeness of the line rather than single stars: famous names are almost absent, but the sequence runs unbroken from the thirteenth century to the seventeenth. In Britain icons are met in ones and twos, in Byzantine rooms and in the trade; a museum where the subject has a building of its own does not exist there. The monastery’s Saviour Cathedral, in which all this stands, is the oldest surviving building in Moscow.

Icons of the thirteenth to seventeenth centuries, gathered by the museum’s own expeditions. Royal doors and whole iconostasis sets. Fragments of wall painting. The Saviour Cathedral of the 1420s — the oldest building in Moscow, with remains of ornamental painting associated with Rublev.

2.5 km from here · Andronyevskaya Square 10 · ·
· No. 61
significant
The Museum of Decorative Art
shakko, CC BY-SA 3.0 · Wikimedia Commons
Lacquer miniature of four schools and propaganda porcelain — the objects by which Russia is recognisable in world decorative art. The material is first-rate; the display is not up to it.

Lacquer miniature — Palekh, Fedoskino, Mstyora, Kholuy; Soviet propaganda porcelain; toys of the peoples of the world; embroidery and samovars.

2.8 km from here · Delegatskaya 3, bldg 1 · ·
· No. 32
History · since 1896

Museum of Moscow

significant
Museum of Moscow
shakko, CC BY-SA 3.0 · Wikimedia Commons
A city museum — an ordinary genre in Europe — but the material is unique in scale: a million objects about one city. The value is also the Provision Warehouses by Stasov, a model Empire building rarely accessible from inside.

The permanent display History of Moscow: the archaeology of Moscow soil, town life, plans and views of the city by century. And the Provision Warehouses themselves, an Empire monument after Vasily Stasov.

2.9 km from here · Zubovsky Boulevard 2, bldg 7 · ·
· No. 56
Science and nature · since 1706

The Apothecary Garden

outstanding
The Apothecary Garden
Gennady Grachev, CC BY 2.0 · Wikimedia Commons
A garden in the middle of the city: five hundred metres to the Garden Ring, and the ground is not large. Founded by Peter I in 1706. Moscow had several such physic gardens, and every one of them except this vanished without trace, while the larch here, planted by tradition by Peter himself (an increment borer confirms an age of only two hundred years — our note), is alive still, though since a lightning strike early in the twentieth century it has hardly grown. The Palm House of 1891 is the centre of a tropical collection gathered over more than two hundred years.

Peter's larch, as the garden has always called it, stands in the middle of the arboretum. Beside it a pedunculate oak more than two hundred years old, limes past a hundred, and a rare weeping form of the Dahurian larch. The Palm House of 1891: palms, figs and pandanus at their full height. The Succulent House on the upper floor of the glasshouse block holds cacti, euphorbias, agaves and aloes, some of them among the rarest anywhere. The old pond with its water plants, the shade garden, the heather slope where the rockery used to be; the conifer slopes took a gold diploma of the landscape architecture prize in 2013.

3.0 km from here · Prospekt Mira 26, building 1 · ·
checked 20 August 2026 · No. 102
Literature · since 1934

The Dahl Literary Museum

significant
The Dahl Literary Museum
Levnevskiy, CC BY-SA 4.0 · Wikimedia Commons
The only museum built not around a single name but around literature as a process. Hence its strength — comparisons impossible in a house museum, and a fund of 700,000 items that makes such comparisons possible.

The permanent display Zubovsky 15: a house of science, literature and art, and the exhibitions on 20th-century Russian letters.

3.0 km from here · Zubovsky Boulevard 15, bldg 1 · ·
· No. 8
Science and nature · since 1993

The Water Museum

for enthusiasts
The Water Museum
Architect: Max Hoeppener. Photo: NVO, CC BY-SA 3.0 · Wikimedia Commons
A departmental museum with working models of city infrastructure — an almost extinct genre. Worth seeing for anyone curious about how the city works underground; there is nowhere else in Moscow for that.

Working models of waterworks, from the Rostokino aqueduct to the present treatment plants; the history of the Moscow sewer in drawings and photographs.

3.0 km from here · Sarinsky Proyezd 13 · ·
· No. 39
Architecture and estates · since 2020

The Narkomfin Building

significant
The Narkomfin Building
Retired electrician, CC0 · Wikimedia Commons
The 1930 house by Ginzburg and Milinis is the transitional commune-house with which any conversation about twentieth-century housing begins: two-level units, a corridor every second floor, kitchen and laundry taken out of the flat. Le Corbusier knew this building and leaned on it in the Unité d’habitation at Marseille — the ribbon window, the pilotis and the interlocking sections are all here first. But expectations must be squared honestly: the restoration of 2017–2020 gave the house back to its residents, and the museum here is one restored unit, not a building. Looking is done from outside and in a single flat, by appointment.

A restored type F unit, furnished to Ginzburg’s drawings. The building itself: the residential block on columns, the communal block, the bridge between them.

3.1 km from here · Novinsky Boulevard 25, block 1 · ·
· No. 74

5 museums have no point set. They are not in this count.