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Museums near The Chocolate Museum

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Friday.
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One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
What to see
Access
The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Showing 42 museums

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Nearest museums · 42
Architecture and estates · since 1918

Ostankino

outstanding
Ostankino
A.Savin, CC BY-SA 3.0 · Wikimedia Commons
A palace wholly of wood and wholly pretending to be stone, with a theatre hall that a turn of the machinery converted into a ballroom. Buildings of the kind can be counted on the fingers, and surviving eighteenth-century stage machinery is rarer still: the Georgian Theatre Royal at Richmond keeps its, Drottningholm keeps its, and this is the third name on that short list. It was built by serf architects for a serf theatre, and that fact cannot be subtracted from the estate: the brilliance here stands on unfreedom, and the museum says so. Go knowing the main thing: after years of restoration the museum is opening in parts, and in August 2026 the palace-theatre itself was still at work.

The theatre hall with its machinery, which turned it into a ballroom. The Egyptian and Italian pavilions. A collection of light fittings and carved wood. The Church of the Life-Giving Trinity of 1683 beside the palace.

5.0 km from here · 1st Ostankinskaya Street 5 ·
· No. 68
Architecture and estates · since 1965

The Ryabushinsky Mansion

outstanding
The Ryabushinsky Mansion
Ekaterina Borisova, CC BY-SA 4.0 · Wikimedia Commons
The best surviving interior of Moscow Art Nouveau: Shekhtel built the mansion in 1900–1903 and thought it out down to the door handle, and the wave staircase with its jellyfish lamp is the thing for which one comes here instead of any museum of decorative art. What Horta did at the Hôtel Tassel and Mackintosh at the Glasgow School of Art — one hand over the whole building, from plan to fittings — Shekhtel did here, and here it survives with the fittings in place. Upstairs is hidden an Old Believers’ chapel that could not be shown openly, and it has come through. The memorial part — Gorky lived here from 1931 — is markedly weaker than the architecture, and that should be known in advance: one comes for Shekhtel, not for Gorky.

The wave staircase with its jellyfish light. Stained glass and the mosaic frieze of orchids along the façade. The Old Believers’ chapel on the top floor. Gorky’s study and library.

5.1 km from here · Malaya Nikitskaya Street 6/2 ·
· No. 71
significant
The Tretyakov on Kadashevskaya
Ludvig14, CC BY-SA 4.0 · Wikimedia Commons
Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

5.5 km from here · Kadashevskaya Embankment 12 · ·
· No. 55
world-class
The Pushkin Museum of Fine Arts
user:Ghirlandajo, CC BY-SA 3.0 · Wikimedia Commons
The Louvre and the Metropolitan hold more originals; what is unique is Tsvetaev’s cast collection — the only large teaching museum of the history of art in the world still intact and still working as intended. In Europe such collections went into storage in the 20th century. Add the Fayum portraits and objects from Schliemann’s Trojan hoards.

The teaching collection of plaster casts after antique and Renaissance sculpture — Tsvetaev’s idea, unmatched for completeness; the Fayum portraits; objects from Priam’s Treasure found by Schliemann at Troy; the Egyptian collection. The French 19th–20th century is in the Gallery at Volkhonka 14, on a separate ticket.

5.6 km from here · Volkhonka 12 · ·
· No. 20
outstanding
Museum of Russian Impressionism
Sergey A. Demidov, CC BY 4.0 · Wikimedia Commons
The term “Russian impressionism” is contested, and this is the only institution that investigates rather than illustrates it. The value is the exhibition programme: works come here from private collections that would otherwise never be seen.

Konstantin Korovin, Valentin Serov, Igor Grabar, Nikolai Bogdanov-Belsky. The building is a converted cylindrical flour store of the Bolshevik factory — a rare case of industry turned into a museum.

5.6 km from here · Leningradsky Prospekt 15, bldg 11 · ·
· No. 51
Art · since 1856

The Tretyakov Gallery

world-class
The Tretyakov Gallery
A.Savin, CC BY-SA 3.0 · Wikimedia Commons
Russian art of the 11th to early 20th century is nowhere else assembled so fully — only the Russian Museum compares. But the canon was formed here: Tretyakov bought from living artists what he himself thought mattered, and one man’s private judgement became what we now call the Russian school. Seeing the 19th century elsewhere means seeing fragments.

Ivanov’s The Appearance of Christ Before the People in its own hall; Surikov’s Boyarynya Morozova and Morning of the Streltsy Execution; Repin’s Ivan the Terrible and His Son; Serov’s Girl with Peaches; Vasnetsov’s Bogatyrs; the icon halls. Rublev’s Trinity is no longer here: it was handed to the Church in 2023.

5.6 km from here · Lavrushinsky Lane 10 · ·
· No. 1
Architecture and estates · since 2020

The Narkomfin Building

significant
The Narkomfin Building
Retired electrician, CC0 · Wikimedia Commons
The 1930 house by Ginzburg and Milinis is the transitional commune-house with which any conversation about twentieth-century housing begins: two-level units, a corridor every second floor, kitchen and laundry taken out of the flat. Le Corbusier knew this building and leaned on it in the Unité d’habitation at Marseille — the ribbon window, the pilotis and the interlocking sections are all here first. But expectations must be squared honestly: the restoration of 2017–2020 gave the house back to its residents, and the museum here is one restored unit, not a building. Looking is done from outside and in a single flat, by appointment.

A restored type F unit, furnished to Ginzburg’s drawings. The building itself: the residential block on columns, the communal block, the bridge between them.

5.9 km from here · Novinsky Boulevard 25, block 1 · ·
· No. 74
House museums · since 1922

The Scriabin Museum

significant
A flat from which nothing was carried out: Scriabin rented it for his last three years and died here in 1915, and it became a museum in 1922 — almost without a gap. Furniture, books, piano and the fittings of the study are the very ones. But the chief thing is another: Scriabin conceived music together with light, and the trace of that conception survives in the flat — the colour score of Prometheus and the light apparatus. No other composer’s museum in Russia shows the idea and not merely the domestic life.

The Bechstein grand at which the last works were written. The study and the library with the owner’s markings. The colour score of Prometheus and the colour-light apparatus assembled to his design. A concert hall in the same house.

5.9 km from here · Bolshoy Nikolopeskovsky Lane 11
· No. 76
Literature · since 1957

The Pushkin Museum on Prechistenka

significant
The Pushkin Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
There is no memorial Pushkin house in Moscow — he did not live here. The value is not authentic walls but a complete age: objects, books and portraits from which the Pushkin era can be reconstructed whole. For relics go to the Moika in Petersburg; for the era, here.

The permanent displays Pushkin and His Age (fifteen rooms of the manor house) and Pushkin’s Fairy Tales; first editions, portraits of his circle, everyday objects of the early 19th century.

6.2 km from here · Prechistenka 12/2 ·
· No. 2
Unusual · since 2021

The Museum of Cryptography

significant
The Museum of Cryptography
Leokand, CC0 · Wikimedia Commons
The only museum in Russia about the cipher and about how a message reaches the person it is meant for — a subject nobody else takes up. It is made to present-day museum standards: object, explanation and working mechanism stand on equal terms, and it can be followed without a guide. A holding of world rank there is not and cannot be: the subject is young. Bletchley Park tells the story of the men who broke the machine; here the machine itself is put in a line six thousand years long, and Enigma is one entry in it. And a separate circumstance: the building is the former Marfino sharashka, a prison for scientists where Solzhenitsyn was held and about which In the First Circle was written. The museum says so plainly.

Cipher machines of the twentieth century, the German Enigma among them. Soviet scrambling apparatus. Sections on the ciphers of antiquity and on cryptography now. A display about the Marfino sharashka, within its own walls.

6.2 km from here · Botanicheskaya Street 25, building 4 · ·
· No. 72

5 museums have no point set. They are not in this count.