Museums near The Esterházy Palace

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The building itself — the rebuilding of 1861 to the design of Ignác Wechselmann (1828–1903). In the garden, the memorial place of Komárom-Esztergom county and the sculptural group by Mária Lugossy, In Memory of the Martyrs of All Times, of 2004. There is no standing display; the hall is given to temporary ones.

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The green-glazed stove with knight figures — put back together from fragments out of a cellar filled in during the sixteenth century, and it carries the furnishing of the palace in the time of Matthias Corvinus. The Roman lapidary, opened in 1955 — stones from Brigetio and Almásfüzitő. The medieval lapidary — carving from the abbey of Vértesszentkereszt. The faience of Domokos Kuny (1754–1822). The Knights’ Hall of 1815, with the neo-Romanesque windows put in for the imperial manoeuvres of 1897. The standing displays A City Is Born and Everyday Life in the Middle Ages.

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The standing display We and the Others (Mi és a többiek, 2015): the Histories section — a thousand years of the state’s dealings with its minorities, laid out as a river with its shoals and dams — and facing it the personal keepsakes given to the museum by people and communities; the Objects section — what has counted at various times as a typically German thing. The Nepomuk mill of 1758 by Jakab Fellner: how the mill was built and how it worked is shown on the ground floor. The wooden statue of John of Nepomuk on the front. An open store in the former granary. Of the costume and household gear one expects from a local museum there is less here than there is talk.

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The cleared rock faces — stones of a kind no longer formed today, and phenomena that a textbook can only draw as a diagram. The stone park — the commonest rock-forming stones of Hungary, gathered into one walk. The traces of Copper Age flint working. On the top of the hill a baroque chapel and a calvary, and beside them a lookout tower, the Söréttorony.

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The original decorative painting of the ground floor: the reception room with a landscape over its walls and the linear painting of the other rooms — the thing for which the house was restored at all. The exhibition The Garden (A kert, 2026) on the upper floor — the garden as a stage, as a landscape, as a people’s park and as a collection; curated by Máté Stegmayer, Mónika Kövesdi, Zsófia Szegleti and József Szűcs. The ground-floor rooms: the reception room, the ladies’ salon, the master’s study. The building itself, of 1784, by József Grossmann.

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The artificial ruins of 1801 to a scheme by Charles de Moreau: clustered columns and twenty-four carved capitals from the abbey of Vértesszentkereszt, a Roman tombstone of the third century from Látó Hill set in a niche, gravestones from Szőny. The Turkish Mosque and the stone griffins at the entrance. The garden of 1783 around the Cseke lake, laid out by Ferenc Bőhm. The Esterházy summer house stands in the same garden.