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Museums near The Jewish Museum

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Friday.
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One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
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The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Showing 44 museums

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Nearest museums · 44
History · since 1859

The Romanov Chambers

significant
The Romanov Chambers
Ludvig14, CC BY-SA 3.0 · Wikimedia Commons
One of the first museums in Russia: it opened in 1859, thirteen years before the Historical Museum, and opened already as a reconstruction of boyar life — an idea unheard of at the time. What is to be looked at is not authenticity down to the nail but the conception itself: how the middle of the nineteenth century pictured the seventeenth, and what came of it. Barry and Pugin were building Westminster in those same decades, and the case is the same — a century imagining an earlier one and building it in earnest. The collection meanwhile is real: furniture, vessels, textiles, tiles. Together with the Old English Court two steps away, this is the best pair in Moscow about the city before Peter.

The sixteenth-century undercroft, the one genuine part of the building. The interiors recreated by Richter in the 1850s: the dining chamber, the boyarynya’s room, the light room. Tiled stoves, chests, vessels and textiles of the seventeenth century.

4.3 km from here · Varvarka Street 10 ·
· No. 77
Architecture and estates · since 1955

The Kremlin Cathedrals

world-class
The Kremlin Cathedrals
Pedro Szekely, CC BY-SA 2.0 · Wikimedia Commons
The iconostasis of the Annunciation Cathedral is linked with the names of Theophanes the Greek, Andrei Rublev and Prokhor of Gorodets: the chronicle for 1405 names them as the painters of this church, though whether the present icons are that same work is still argued. Such a conjunction of names exists nowhere else. And the difference from any museum of icons is one of principle: the things stand where they stood, in the light and the space they were painted for — as the glass at Canterbury is one thing in the window and quite another in a case. What is not here is explanation: the cathedrals carry almost no labels and are meant for someone who already knows, or who came with a guide.

The deesis tier of the Annunciation Cathedral. The frescoes of the Dormition Cathedral, 1642–1644, and its iconostasis; there too the oldest icons, brought to Moscow as the lands were gathered in. The tombs of the Moscow princes and tsars in the Archangel Cathedral, painted 1652–1666. The Patriarch’s Palace: applied art and the household of the seventeenth century.

The Mosco it selfe is great: I take the whole towne to bee greater then London with the suburbes: but it is very rude, and standeth without all order. […] There is a faire Castle, the walles whereof are of bricke, and very high…
Richard Chancellor, 1589 in full
4.4 km from here · The Moscow Kremlin, Cathedral Square (entrance through the Kutafya Tower) · ·
· No. 60
House museums · since 1922

The Scriabin Museum

significant
A flat from which nothing was carried out: Scriabin rented it for his last three years and died here in 1915, and it became a museum in 1922 — almost without a gap. Furniture, books, piano and the fittings of the study are the very ones. But the chief thing is another: Scriabin conceived music together with light, and the trace of that conception survives in the flat — the colour score of Prometheus and the light apparatus. No other composer’s museum in Russia shows the idea and not merely the domestic life.

The Bechstein grand at which the last works were written. The study and the library with the owner’s markings. The colour score of Prometheus and the colour-light apparatus assembled to his design. A concert hall in the same house.

4.4 km from here · Bolshoy Nikolopeskovsky Lane 11
· No. 76
world-class
The Pushkin Museum of Fine Arts
user:Ghirlandajo, CC BY-SA 3.0 · Wikimedia Commons
The Louvre and the Metropolitan hold more originals; what is unique is Tsvetaev’s cast collection — the only large teaching museum of the history of art in the world still intact and still working as intended. In Europe such collections went into storage in the 20th century. Add the Fayum portraits and objects from Schliemann’s Trojan hoards.

The teaching collection of plaster casts after antique and Renaissance sculpture — Tsvetaev’s idea, unmatched for completeness; the Fayum portraits; objects from Priam’s Treasure found by Schliemann at Troy; the Egyptian collection. The French 19th–20th century is in the Gallery at Volkhonka 14, on a separate ticket.

4.6 km from here · Volkhonka 12 · ·
· No. 20
Unusual · since 2021

The Museum of Cryptography

significant
The Museum of Cryptography
Leokand, CC0 · Wikimedia Commons
The only museum in Russia about the cipher and about how a message reaches the person it is meant for — a subject nobody else takes up. It is made to present-day museum standards: object, explanation and working mechanism stand on equal terms, and it can be followed without a guide. A holding of world rank there is not and cannot be: the subject is young. Bletchley Park tells the story of the men who broke the machine; here the machine itself is put in a line six thousand years long, and Enigma is one entry in it. And a separate circumstance: the building is the former Marfino sharashka, a prison for scientists where Solzhenitsyn was held and about which In the First Circle was written. The museum says so plainly.

Cipher machines of the twentieth century, the German Enigma among them. Soviet scrambling apparatus. Sections on the ciphers of antiquity and on cryptography now. A display about the Marfino sharashka, within its own walls.

4.7 km from here · Botanicheskaya Street 25, building 4 · ·
· No. 72
Literature · since 1957

The Pushkin Museum on Prechistenka

significant
The Pushkin Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
There is no memorial Pushkin house in Moscow — he did not live here. The value is not authentic walls but a complete age: objects, books and portraits from which the Pushkin era can be reconstructed whole. For relics go to the Moika in Petersburg; for the era, here.

The permanent displays Pushkin and His Age (fifteen rooms of the manor house) and Pushkin’s Fairy Tales; first editions, portraits of his circle, everyday objects of the early 19th century.

5.1 km from here · Prechistenka 12/2 ·
· No. 2
significant
The Tretyakov on Kadashevskaya
Ludvig14, CC BY-SA 4.0 · Wikimedia Commons
Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

5.2 km from here · Kadashevskaya Embankment 12 · ·
· No. 55
House museums · since 1911

The Tolstoy Museum on Prechistenka

significant
The Tolstoy Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
The largest manuscript fund of any single writer in the world. The value is scholarly: you see how the text was made — Tolstoy rewrote a sentence ten times, and you can watch it happen. For the house he lived in, go to Khamovniki.

Manuscripts in Tolstoy’s hand, first editions, portraits and photographs of the writer and his family. The display follows the books, from Childhood to Resurrection.

5.2 km from here · Prechistenka 11/8 · ·
· No. 7
outstanding
The Museum of the Russian Icon
Museum of the Russian icon, CC BY-SA 3.0 · Wikimedia Commons
For Ethiopian Christian art it is the only collection in Russia; for the Russian icon it competes with state museums. Add a circumstance almost unheard of anywhere in the world for a collection of this level: admission is free.

The Russian icon of the 14th to 20th century, from Novgorod panels to Old Believer painting; Ethiopian Christian art, the only such collection in Russia; a reconstructed iconostasis and post-Byzantine Greek icons.

5.3 km from here · Goncharnaya 3, bldg 1 · ·
· No. 54
Art · since 1856

The Tretyakov Gallery

world-class
The Tretyakov Gallery
A.Savin, CC BY-SA 3.0 · Wikimedia Commons
Russian art of the 11th to early 20th century is nowhere else assembled so fully — only the Russian Museum compares. But the canon was formed here: Tretyakov bought from living artists what he himself thought mattered, and one man’s private judgement became what we now call the Russian school. Seeing the 19th century elsewhere means seeing fragments.

Ivanov’s The Appearance of Christ Before the People in its own hall; Surikov’s Boyarynya Morozova and Morning of the Streltsy Execution; Repin’s Ivan the Terrible and His Son; Serov’s Girl with Peaches; Vasnetsov’s Bogatyrs; the icon halls. Rublev’s Trinity is no longer here: it was handed to the Church in 2023.

5.4 km from here · Lavrushinsky Lane 10 · ·
· No. 1

5 museums have no point set. They are not in this count.