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Museums near Museum of Folk Prints

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Sunday.
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One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
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Access
The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Nearest museums · 51
for enthusiasts
The Museum of Contemporary History
РИА Новости / Юрий Артамонов, CC BY 4.0 · Wikimedia Commons
The collection is large, but the display is built ideologically and is unreliable as a source of knowledge — we say so plainly. The value is the building: this is the Moscow English Club, the one from the novels, and some objects such as the propaganda porcelain.

The building of the Moscow English Club — the club of Eugene Onegin and War and Peace, with the lions on its gate; Soviet propaganda porcelain; the collection of gifts to Stalin.

2.0 km from here · Tverskaya 21 · ·
· No. 28
History · since 1806

The Armoury Chamber

world-class
The Armoury Chamber
Ludvig14, CC BY-SA 3.0 · Wikimedia Commons
A treasury formed by keeping rather than by collecting: things entered as the sovereign’s property or as an embassy gift, and so came through where in Europe they went to the crucible. English silver of the sixteenth and seventeenth centuries stands here more fully than in England itself — the royal plate at home was melted under the Commonwealth, while what had been sent to Moscow was never touched. Neither the Tower nor the Victoria and Albert can be as complete about that English century as this room in Moscow. There is no painting here at all: this is a chamber of objects.

The Cap of Monomakh and the double throne of the boy tsars Ivan and Peter. Tudor and Stuart silver, a holding with no equal anywhere. Fabergé Easter eggs. Icon covers, panagias and chalices of pre-Mongol Rus. The carriage rooms: coronation coaches of the eighteenth century.

2.2 km from here · The Moscow Kremlin (entrance through the Kutafya Tower) · ·
· No. 59
Literature · since 1928

The Dostoevsky House

significant
The Dostoevsky House
Татьяна Воронцова, CC BY 4.0 · Wikimedia Commons
The first Dostoevsky museum in the world, opened in 1928, and the only place bound up with his childhood: he lived here from 1823 to 1837, while his father served as physician to the Mariinsky Hospital for the Poor. The hospital beyond the window belongs to the case: the boy grew up among poverty and sickness, and half his books grow from here. In Doughty Street one sees where Dickens wrote; here one sees where a writer was made, which is a different question and a rarer exhibit. The collection is small and few family things survive, and that should be known in advance; the value here is the place itself.

The family’s own things: the oval sofa table, the bookcase, portraits of the parents and forebears, bronze candelabra from Andrei Dostoevsky’s collection. In the Dostoevsky’s World display — the sofa the writer bought in 1866, the writing desk from his last flat, an inkstand and his spectacles, a facsimile of the Gospel the Decembrists’ wives gave him in 1850. The view from the window onto the hospital yard, which Dostoevsky saw as a child.

2.2 km from here · Dostoevskogo Street 2 · ·
· No. 78
Art · since 1817

The Manege

significant
The Manege
Bernt Rostad uploaded and derivative work: MrPanyGoff, CC BY 2.0 · Wikimedia Commons
There is no collection; the value is entirely engineering — a column-free span of nearly 45 metres calculated by Betancourt, a monument of engineering thought with few equals in Europe. Everything else here is temporary.

The building itself: a column-free hall spanned by timber trusses of almost 45 metres, calculated by the engineer Agustín de Betancourt — a rare monument of engineering.

2.2 km from here · Manezhnaya Square 1 ·
· No. 19
Unusual · since 1912

The Museum of Music

outstanding
The Museum of Music
shakko, CC BY-SA 3.0 · Wikimedia Commons
One of the largest collections of musical instruments in the world and the only place in Russia where the instrument is shown as an object of history. One can go from horn and gusli to Murzin’s synthesiser, named with Scriabin’s initials — the machine on which the music for Solaris was written. Here too is kept the State Collection of unique instruments: Stradivari, Guarneri, Amati. The Horniman shows the instrument as ethnography and the Royal College of Music shows it as performance history; here both lines run in one room, and the electronic one continues them. One thing must be known: the collection is a working one, instruments are lent to musicians, and they are not always to be found in the case.

Instruments of the peoples of the world, from Russian gusli to the Japanese koto. The ANS synthesiser of Yevgeny Murzin, named with Scriabin’s initials. Autographs and manuscripts of Russian composers. The State Collection of stringed instruments, when it is in the museum.

2.2 km from here · Fadeyeva Street 4 ·
· No. 65
Architecture and estates · since 1955

The Kremlin Cathedrals

world-class
The Kremlin Cathedrals
Pedro Szekely, CC BY-SA 2.0 · Wikimedia Commons
The iconostasis of the Annunciation Cathedral is linked with the names of Theophanes the Greek, Andrei Rublev and Prokhor of Gorodets: the chronicle for 1405 names them as the painters of this church, though whether the present icons are that same work is still argued. Such a conjunction of names exists nowhere else. And the difference from any museum of icons is one of principle: the things stand where they stood, in the light and the space they were painted for — as the glass at Canterbury is one thing in the window and quite another in a case. What is not here is explanation: the cathedrals carry almost no labels and are meant for someone who already knows, or who came with a guide.

The deesis tier of the Annunciation Cathedral. The frescoes of the Dormition Cathedral, 1642–1644, and its iconostasis; there too the oldest icons, brought to Moscow as the lands were gathered in. The tombs of the Moscow princes and tsars in the Archangel Cathedral, painted 1652–1666. The Patriarch’s Palace: applied art and the household of the seventeenth century.

The Mosco it selfe is great: I take the whole towne to bee greater then London with the suburbes: but it is very rude, and standeth without all order. […] There is a faire Castle, the walles whereof are of bricke, and very high…
Richard Chancellor, 1589 in full
2.3 km from here · The Moscow Kremlin, Cathedral Square (entrance through the Kutafya Tower) · ·
· No. 60
outstanding
The Museum of Architecture
SergeyStepykin, CC BY-SA 3.0 · Wikimedia Commons
The only museum of architecture in Russia and one of the few in the world. It holds fragments of demolished buildings — reliefs from the Cathedral of Christ the Saviour, details of the Sukharev Tower: things that exist nowhere else because the buildings do not.

The enfilade of the Talyzin house with its exhibitions; the Apothecary Office, 17th-century chambers where fragments of demolished Moscow buildings are shown; models of unbuilt projects, including material on the Palace of the Soviets.

2.5 km from here · Vozdvizhenka 5/25 · ·
· No. 53
Unusual · since 2009

The Chocolate Museum

niche
The Chocolate Museum
An industrial tour rather than a museum: the value is the walk into the working shop and the history of Einem. As a collection it is next to nothing, and we do not hide that.

A walk into the working shop where sweets are wrapped in front of you; the history of Einem and Krasny Oktyabr in original wrappers and advertising.

2.5 km from here · Malaya Krasnoselskaya 7 (entrance from Lobachika 1, bldg 1) · ·
· No. 41
Art · since 2015

The AZ Museum

significant
A one-artist museum, Anatoly Zverev, grown out of a private collection. Its value is not scale — the rooms are few and the works small — but the way of showing: an exhibition here is built as a statement, with sequence and light, rather than hung along the walls, and in Moscow that is rare. About Zverev himself an honest word is owed: an uneven artist, part of whose legacy rests on the speed of the hand rather than on depth, and his best things have to be picked out. The museum does not conceal this, which is why it is believed.

Painting and drawing by Anatoly Zverev from Natalia Opaleva’s collection. Exhibitions setting Zverev beside other artists of his circle. Work by Vladimir Nemukhin and other nonconformists.

2.5 km from here · 2nd Tverskaya-Yamskaya Street 20–22 · ·
· No. 73
outstanding
The Museum of Oriental Art
Panther, CC BY-SA 3.0 · Wikimedia Commons
Western museums of the East were formed by colonial routes; this collection grew out of nationalised private collections and Soviet expeditions. Hence the Central Asian, Caucasian, Buryat and Chukchi sections that London and Paris lack: there the East begins with India and Egypt, here with what lay inside the country and next to it. That is the reason to come.

Central Asian and Caucasian carpets and metalwork transferred from the State Museum Fund; Iranian Qajar painting and tilework; Chinese bronze and porcelain, Japanese prints; a Korean section rare for Russia; Buddhist sculpture of Buryatia and Mongolia.

2.6 km from here · Nikitsky Boulevard 12a · ·
· No. 43