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Museums near The Pushkin Museum on Prechistenka

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Friday.
Who with
One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
What to see
Access
The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Showing 47 museums

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Nearest museums · 47
History · since 1859

The Romanov Chambers

significant
The Romanov Chambers
Ludvig14, CC BY-SA 3.0 · Wikimedia Commons
One of the first museums in Russia: it opened in 1859, thirteen years before the Historical Museum, and opened already as a reconstruction of boyar life — an idea unheard of at the time. What is to be looked at is not authenticity down to the nail but the conception itself: how the middle of the nineteenth century pictured the seventeenth, and what came of it. Barry and Pugin were building Westminster in those same decades, and the case is the same — a century imagining an earlier one and building it in earnest. The collection meanwhile is real: furniture, vessels, textiles, tiles. Together with the Old English Court two steps away, this is the best pair in Moscow about the city before Peter.

The sixteenth-century undercroft, the one genuine part of the building. The interiors recreated by Richter in the 1850s: the dining chamber, the boyarynya’s room, the light room. Tiled stoves, chests, vessels and textiles of the seventeenth century.

2.2 km from here · Varvarka Street 10 ·
· No. 77
History · since 1991

The Museum of Patrons

for enthusiasts
The Museum of Patrons
Kotofey2016, CC BY-SA 4.0 · Wikimedia Commons
The only museum about where the Tretyakov Gallery, the Bakhrushin, the Shchukin and Morozov collections came from: about the people who paid for them. The subject runs through our whole list and is gathered nowhere else. What the Courtauld is to Britain — a private eye and a private purse turned into a public institution — the Moscow merchants were to Russia, several times over and within one generation. The rating is honest and not high: this is a private educational centre in an old merchant house, the holding is documentary and small, and there is no free entry at all, only by appointment. Come here after the great museums, having asked yourself whose money they stand on.

Documents, portraits and belongings of the Moscow merchantry of the nineteenth century. Material on the Tretyakov, Morozov, Bakhrushin and Shchukin dynasties. The house of Ivan Prostyakov, in which the museum lives.

2.3 km from here · Donskaya Street 9 · ·
· No. 79
Unusual · since 1991

The Bookplate Museum

niche
The Bookplate Museum
The only collection of bookplates in Russia — a field between graphic art and bibliophilia shown systematically nowhere else. The circle of admirers is narrow, the subject genuine.

Bookplates by Russian and foreign artists, miniature editions and micro-books, writing on a grain of rice and miniatures on ivory.

2.5 km from here · Pushechnaya 7/5, bldg 2 (2nd floor) · ·
· No. 40
for enthusiasts
The Museum of Contemporary History
The collection is large, but the display is built ideologically and is unreliable as a source of knowledge — we say so plainly. The value is the building: this is the Moscow English Club, the one from the novels, and some objects such as the propaganda porcelain.

The building of the Moscow English Club — the club of Eugene Onegin and War and Peace, with the lions on its gate; Soviet propaganda porcelain; the collection of gifts to Stalin.

2.5 km from here · Tverskaya 21 · ·
· No. 28
Unusual · since 2007

The Arcade Machines Museum

for enthusiasts
The Arcade Machines Museum
Museum of Soviet Arcade Machines, CC BY-SA 4.0 · Wikimedia Commons
The only museum where the exhibit works: the machine starts on a coin, and that changes the whole way of meeting the object. As a monument of late Soviet daily life it is precise and honest.

Sea Battle, Gorodki, Sniper, Safari — the machines work rather than stand behind glass; and the soda machine with a faceted glass.

2.8 km from here · Rozhdestvenka 12 · ·
· No. 48
Unusual · since 1894

The Bakhrushin Museum

outstanding
The Bakhrushin Museum
Alxklg1, CC0 · Wikimedia Commons
A collection begun in 1894 by one private man and grown into the largest theatre collection in the world — so the museum reckons it, and it is hard to dispute: a million and a half items. Its value is completeness: Russian theatre can be followed here in sequence, from the serf stage to the present, rather than by isolated stars. The V&A holds the national theatre archive of Britain and shows it magnificently; the difference is that there the Russian line is a guest and here it is the whole subject. The designs by Golovin, Bakst, Korovin and Exter are, incidentally, first-rate painting — they merely happen to be filed under theatre. The main building reopened after a long restoration in 2024, and the make-up of the permanent display is worth checking before setting out.

Designs for sets and costumes by Golovin, Bakst, Korovin, Exter and Tatlin. Costumes and possessions of the great actors. Stage models. The archives of theatres and directors. Bakhrushin’s own house, built for the collection.

2.9 km from here · Bakhrushina Street 31/12
· No. 66
Science and nature · since 1716

The Mineralogical Museum

outstanding
The Mineralogical Museum
Anton Cherny, public domain · Wikimedia Commons
A collection more than three hundred years old: it grew out of the mineral cabinet of Peter’s Kunstkamera and moved to Moscow with the Academy of Sciences. Some hundred and forty thousand specimens make it one of the largest mineralogical museums in the world, and for the systematics of stone it has no equal in Russia. The Vault at South Kensington shows a few dozen chosen stones magnificently; the point here is the opposite — the whole class, in order, with the ordinary specimen beside the extraordinary one, which is what a systematic collection is for. Come knowing that this is a scientific museum and not an entertaining one: cases, labels, no screens. Anyone who wants the telling needs a guided tour, and it must be booked ahead.

The systematic collection — the whole known mineral world by class. Ural malachite and rhodonite from the old crown holdings. Meteorites. Hardstone work by Fabergé and the Peterhof lapidary works. Large specimens of a size only museums of this age possess.

2.9 km from here · Leninsky Prospekt 18, building 2 · ·
· No. 63
outstanding
The Museum of the Russian Icon
Museum of the Russian icon, CC BY-SA 3.0 · Wikimedia Commons
For Ethiopian Christian art it is the only collection in Russia; for the Russian icon it competes with state museums. Add a circumstance almost unheard of anywhere in the world for a collection of this level: admission is free.

The Russian icon of the 14th to 20th century, from Novgorod panels to Old Believer painting; Ethiopian Christian art, the only such collection in Russia; a reconstructed iconostasis and post-Byzantine Greek icons.

3.0 km from here · Goncharnaya 3, bldg 1 · ·
· No. 54
Art · since 2015

The AZ Museum

significant
A one-artist museum, Anatoly Zverev, grown out of a private collection. Its value is not scale — the rooms are few and the works small — but the way of showing: an exhibition here is built as a statement, with sequence and light, rather than hung along the walls, and in Moscow that is rare. About Zverev himself an honest word is owed: an uneven artist, part of whose legacy rests on the speed of the hand rather than on depth, and his best things have to be picked out. The museum does not conceal this, which is why it is believed.

Painting and drawing by Anatoly Zverev from Natalia Opaleva’s collection. Exhibitions setting Zverev beside other artists of his circle. Work by Vladimir Nemukhin and other nonconformists.

3.1 km from here · 2nd Tverskaya-Yamskaya Street 20–22 · ·
· No. 73
Architecture and estates · since 1524

Novodevichy Convent

outstanding
Novodevichy Convent
Ivtorov, CC BY-SA 4.0 · Wikimedia Commons
After Kolomenskoye the second building of Moscow on the World Heritage list, and for wholeness of ensemble the first: a convent of the late seventeenth century has come down almost without rebuilding — walls, towers, gate churches, refectory. The Smolensk Cathedral of 1524 keeps sixteenth-century frescoes in their places and an iconostasis of a kind of which Moscow has two or three. What is not here is a museum in the ordinary sense: this is a working convent with a museum display, and what is open changes from season to season.

The Smolensk Cathedral of 1524 with its sixteenth-century wall painting and iconostasis. The walls and towers of the late seventeenth century — Moscow Baroque entire. The burial ground: Denis Davydov, Sergei Solovyov, and Chekhov before he was moved.

3.2 km from here · Novodevichy Proyezd 1
· No. 75

5 museums have no point set. They are not in this count.