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Museums near Tolstoy in Khamovniki

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Friday.
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One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
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The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Showing 45 museums

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Nearest museums · 45
Literature · since 1934

The Dahl Literary Museum

significant
The Dahl Literary Museum
Levnevskiy, CC BY-SA 4.0 · Wikimedia Commons
The only museum built not around a single name but around literature as a process. Hence its strength — comparisons impossible in a house museum, and a fund of 700,000 items that makes such comparisons possible.

The permanent display Zubovsky 15: a house of science, literature and art, and the exhibitions on 20th-century Russian letters.

350 m from here · Zubovsky Boulevard 15, bldg 1 · ·
· No. 8
History · since 1896

Museum of Moscow

significant
Museum of Moscow
shakko, CC BY-SA 3.0 · Wikimedia Commons
A city museum — an ordinary genre in Europe — but the material is unique in scale: a million objects about one city. The value is also the Provision Warehouses by Stasov, a model Empire building rarely accessible from inside.

The permanent display History of Moscow: the archaeology of Moscow soil, town life, plans and views of the city by century. And the Provision Warehouses themselves, an Empire monument after Vasily Stasov.

450 m from here · Zubovsky Boulevard 2, bldg 7 · ·
· No. 56
Art · since 1986

The New Tretyakov

world-class
The New Tretyakov
Tretyakovgallery, CC BY-SA 4.0 · Wikimedia Commons
The Russian avant-garde is the one Russian artistic system to enter the world canon on equal terms, and its largest collection is here. MoMA and the Pompidou show Malevich and Tatlin torn from their setting; here they hang beside what they rebelled against, which changes the reading.

Malevich’s Black Square, Petrov-Vodkin’s Bathing of a Red Horse, work by Kandinsky, Chagall, Goncharova and Larionov, the model of Tatlin’s Tower. Next door: the Muzeon park of dismantled Soviet monuments.

1.1 km from here · Krymsky Val 10 · ·
· No. 5
House museums · since 1911

The Tolstoy Museum on Prechistenka

significant
The Tolstoy Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
The largest manuscript fund of any single writer in the world. The value is scholarly: you see how the text was made — Tolstoy rewrote a sentence ten times, and you can watch it happen. For the house he lived in, go to Khamovniki.

Manuscripts in Tolstoy’s hand, first editions, portraits and photographs of the writer and his family. The display follows the books, from Childhood to Resurrection.

1.2 km from here · Prechistenka 11/8 · ·
· No. 7
Literature · since 1957

The Pushkin Museum on Prechistenka

significant
The Pushkin Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
There is no memorial Pushkin house in Moscow — he did not live here. The value is not authentic walls but a complete age: objects, books and portraits from which the Pushkin era can be reconstructed whole. For relics go to the Moika in Petersburg; for the era, here.

The permanent displays Pushkin and His Age (fifteen rooms of the manor house) and Pushkin’s Fairy Tales; first editions, portraits of his circle, everyday objects of the early 19th century.

1.3 km from here · Prechistenka 12/2 ·
· No. 2
History · since 1991

The Museum of Patrons

for enthusiasts
The Museum of Patrons
Kotofey2016, CC BY-SA 4.0 · Wikimedia Commons
The only museum about where the Tretyakov Gallery, the Bakhrushin, the Shchukin and Morozov collections came from: about the people who paid for them. The subject runs through our whole list and is gathered nowhere else. What the Courtauld is to Britain — a private eye and a private purse turned into a public institution — the Moscow merchants were to Russia, several times over and within one generation. The rating is honest and not high: this is a private educational centre in an old merchant house, the holding is documentary and small, and there is no free entry at all, only by appointment. Come here after the great museums, having asked yourself whose money they stand on.

Documents, portraits and belongings of the Moscow merchantry of the nineteenth century. Material on the Tretyakov, Morozov, Bakhrushin and Shchukin dynasties. The house of Ivan Prostyakov, in which the museum lives.

1.7 km from here · Donskaya Street 9 · ·
· No. 79
Science and nature · since 1716

The Mineralogical Museum

outstanding
The Mineralogical Museum
Anton Cherny, public domain · Wikimedia Commons
A collection more than three hundred years old: it grew out of the mineral cabinet of Peter’s Kunstkamera and moved to Moscow with the Academy of Sciences. Some hundred and forty thousand specimens make it one of the largest mineralogical museums in the world, and for the systematics of stone it has no equal in Russia. The Vault at South Kensington shows a few dozen chosen stones magnificently; the point here is the opposite — the whole class, in order, with the ordinary specimen beside the extraordinary one, which is what a systematic collection is for. Come knowing that this is a scientific museum and not an entertaining one: cases, labels, no screens. Anyone who wants the telling needs a guided tour, and it must be booked ahead.

The systematic collection — the whole known mineral world by class. Ural malachite and rhodonite from the old crown holdings. Meteorites. Hardstone work by Fabergé and the Peterhof lapidary works. Large specimens of a size only museums of this age possess.

1.8 km from here · Leninsky Prospekt 18, building 2 · ·
· No. 63
world-class
The Pushkin Museum of Fine Arts
user:Ghirlandajo, CC BY-SA 3.0 · Wikimedia Commons
The Louvre and the Metropolitan hold more originals; what is unique is Tsvetaev’s cast collection — the only large teaching museum of the history of art in the world still intact and still working as intended. In Europe such collections went into storage in the 20th century. Add the Fayum portraits and objects from Schliemann’s Trojan hoards.

The teaching collection of plaster casts after antique and Renaissance sculpture — Tsvetaev’s idea, unmatched for completeness; the Fayum portraits; objects from Priam’s Treasure found by Schliemann at Troy; the Egyptian collection. The French 19th–20th century is in the Gallery at Volkhonka 14, on a separate ticket.

1.9 km from here · Volkhonka 12 · ·
· No. 20
House museums · since 1922

The Scriabin Museum

significant
A flat from which nothing was carried out: Scriabin rented it for his last three years and died here in 1915, and it became a museum in 1922 — almost without a gap. Furniture, books, piano and the fittings of the study are the very ones. But the chief thing is another: Scriabin conceived music together with light, and the trace of that conception survives in the flat — the colour score of Prometheus and the light apparatus. No other composer’s museum in Russia shows the idea and not merely the domestic life.

The Bechstein grand at which the last works were written. The study and the library with the owner’s markings. The colour score of Prometheus and the colour-light apparatus assembled to his design. A concert hall in the same house.

1.9 km from here · Bolshoy Nikolopeskovsky Lane 11
· No. 76
Architecture and estates · since 1524

Novodevichy Convent

outstanding
Novodevichy Convent
Ivtorov, CC BY-SA 4.0 · Wikimedia Commons
After Kolomenskoye the second building of Moscow on the World Heritage list, and for wholeness of ensemble the first: a convent of the late seventeenth century has come down almost without rebuilding — walls, towers, gate churches, refectory. The Smolensk Cathedral of 1524 keeps sixteenth-century frescoes in their places and an iconostasis of a kind of which Moscow has two or three. What is not here is a museum in the ordinary sense: this is a working convent with a museum display, and what is open changes from season to season.

The Smolensk Cathedral of 1524 with its sixteenth-century wall painting and iconostasis. The walls and towers of the late seventeenth century — Moscow Baroque entire. The burial ground: Denis Davydov, Sergei Solovyov, and Chekhov before he was moved.

2.1 km from here · Novodevichy Proyezd 1
· No. 75

5 museums have no point set. They are not in this count.