Museums near The Tropinin Museum

Art · since 1856

The Tretyakov Gallery

world-class

Russian art of the 11th to early 20th century is nowhere else assembled so fully — only the Russian Museum compares. But the canon was formed here: Tretyakov bought from living artists what he himself thought mattered, and one man’s private judgement became what we now call the Russian school. Seeing the 19th century elsewhere means seeing fragments.

Ivanov’s The Appearance of Christ Before the People in its own hall; Surikov’s Boyarynya Morozova and Morning of the Streltsy Execution; Repin’s Ivan the Terrible and His Son; Serov’s Girl with Peaches; Vasnetsov’s Bogatyrs; the icon halls. Rublev’s Trinity is no longer here: it was handed to the Church in 2023.

850 m from here · Lavrushinsky Lane 10 · ·

· No. 1

Unusual · since 1894

The Bakhrushin Museum

outstanding

A collection begun in 1894 by one private man and grown into the largest theatre collection in the world — so the museum reckons it, and it is hard to dispute: a million and a half items. Its value is completeness: Russian theatre can be followed here in sequence, from the serf stage to the present, rather than by isolated stars. The V&A holds the national theatre archive of Britain and shows it magnificently; the difference is that there the Russian line is a guest and here it is the whole subject. The designs by Golovin, Bakst, Korovin and Exter are, incidentally, first-rate painting — they merely happen to be filed under theatre. The main building reopened after a long restoration in 2024, and the make-up of the permanent display is worth checking before setting out.

Designs for sets and costumes by Golovin, Bakst, Korovin, Exter and Tatlin. Costumes and possessions of the great actors. Stage models. The archives of theatres and directors. Bakhrushin’s own house, built for the collection.

950 m from here · Bakhrushina Street 31/12

· No. 66

Art · since 2024

The Tretyakov on Kadashevskaya

significant

Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

1.0 km from here · Kadashevskaya Embankment 12 · ·

· No. 55

Art · since 1986

The New Tretyakov

world-class

The Russian avant-garde is the one Russian artistic system to enter the world canon on equal terms, and its largest collection is here. MoMA and the Pompidou show Malevich and Tatlin torn from their setting; here they hang beside what they rebelled against, which changes the reading.

Malevich’s Black Square, Petrov-Vodkin’s Bathing of a Red Horse, work by Kandinsky, Chagall, Goncharova and Larionov, the model of Tatlin’s Tower. Next door: the Muzeon park of dismantled Soviet monuments.

1.1 km from here · Krymsky Val 10 · ·

· No. 5

History · since 1991

The Museum of Patrons

for enthusiasts

The only museum about where the Tretyakov Gallery, the Bakhrushin, the Shchukin and Morozov collections came from: about the people who paid for them. The subject runs through our whole list and is gathered nowhere else. What the Courtauld is to Britain — a private eye and a private purse turned into a public institution — the Moscow merchants were to Russia, several times over and within one generation. The rating is honest and not high: this is a private educational centre in an old merchant house, the holding is documentary and small, and there is no free entry at all, only by appointment. Come here after the great museums, having asked yourself whose money they stand on.

Documents, portraits and belongings of the Moscow merchantry of the nineteenth century. Material on the Tretyakov, Morozov, Bakhrushin and Shchukin dynasties. The house of Ivan Prostyakov, in which the museum lives.

1.4 km from here · Donskaya Street 9 · ·

· No. 79

Architecture and estates · since 1955

The Kremlin Cathedrals

world-class

The iconostasis of the Annunciation Cathedral is linked with the names of Theophanes the Greek, Andrei Rublev and Prokhor of Gorodets: the chronicle for 1405 names them as the painters of this church, though whether the present icons are that same work is still argued. Such a conjunction of names exists nowhere else. And the difference from any museum of icons is one of principle: the things stand where they stood, in the light and the space they were painted for — as the glass at Canterbury is one thing in the window and quite another in a case. What is not here is explanation: the cathedrals carry almost no labels and are meant for someone who already knows, or who came with a guide.

The deesis tier of the Annunciation Cathedral. The frescoes of the Dormition Cathedral, 1642–1644, and its iconostasis; there too the oldest icons, brought to Moscow as the lands were gathered in. The tombs of the Moscow princes and tsars in the Archangel Cathedral, painted 1652–1666. The Patriarch’s Palace: applied art and the household of the seventeenth century.

The Mosco it selfe is great: I take the whole towne to bee greater then London with the suburbes: but it is very rude, and standeth without all order. […] There is a faire Castle, the walles whereof are of bricke, and very high…

Richard Chancellor, 1589 in full

1.8 km from here · The Moscow Kremlin, Cathedral Square (entrance through the Kutafya Tower) · ·

· No. 60

Art · since 1912

The Pushkin Museum of Fine Arts

world-class

The Louvre and the Metropolitan hold more originals; what is unique is Tsvetaev’s cast collection — the only large teaching museum of the history of art in the world still intact and still working as intended. In Europe such collections went into storage in the 20th century. Add the Fayum portraits and objects from Schliemann’s Trojan hoards.

The teaching collection of plaster casts after antique and Renaissance sculpture — Tsvetaev’s idea, unmatched for completeness; the Fayum portraits; objects from Priam’s Treasure found by Schliemann at Troy; the Egyptian collection. The French 19th–20th century is in the Gallery at Volkhonka 14, on a separate ticket.

1.9 km from here · Volkhonka 12 · ·

· No. 20

House museums · since 1911

The Tolstoy Museum on Prechistenka

significant

The largest manuscript fund of any single writer in the world. The value is scholarly: you see how the text was made — Tolstoy rewrote a sentence ten times, and you can watch it happen. For the house he lived in, go to Khamovniki.

Manuscripts in Tolstoy’s hand, first editions, portraits and photographs of the writer and his family. The display follows the books, from Childhood to Resurrection.

1.9 km from here · Prechistenka 11/8 · ·

· No. 7

Literature · since 1957

The Pushkin Museum on Prechistenka

significant

There is no memorial Pushkin house in Moscow — he did not live here. The value is not authentic walls but a complete age: objects, books and portraits from which the Pushkin era can be reconstructed whole. For relics go to the Moika in Petersburg; for the era, here.

The permanent displays Pushkin and His Age (fifteen rooms of the manor house) and Pushkin’s Fairy Tales; first editions, portraits of his circle, everyday objects of the early 19th century.

1.9 km from here · Prechistenka 12/2 ·

· No. 2

Literature · since 1934

The Dahl Literary Museum

significant

The only museum built not around a single name but around literature as a process. Hence its strength — comparisons impossible in a house museum, and a fund of 700,000 items that makes such comparisons possible.

The permanent display Zubovsky 15: a house of science, literature and art, and the exhibitions on 20th-century Russian letters.

2.0 km from here · Zubovsky Boulevard 15, bldg 1 · ·

· No. 8