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Museums near The New Tretyakov

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We count what is left today: from now — or from opening, if the museum has not opened yet — to the last admission. The closing hour is of no use for such a count: past the last admission nobody is let in. Where the last admission is not established we allow half an hour: erring towards «you will not make it» costs less than sending someone to a locked door.
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We show those open on at least one of the days chosen. Today is Friday.
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One thing is asked here: whether a child will find it interesting inside. The ease of the way and of the rooms is a question of another kind, and it stands under “Access”. In the entry this shows as a mark, and the age in the note beside it.
What to see
Access
The accessibility of a museum and the accessibility of the way to it are different things, and we keep them apart. It happens that everything inside is arranged faultlessly while the door itself cannot be reached in a wheelchair; it happens the other way round too.
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Showing 44 museums

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Nearest museums · 44
Literature · since 1934

The Dahl Literary Museum

significant
The Dahl Literary Museum
Levnevskiy, CC BY-SA 4.0 · Wikimedia Commons
The only museum built not around a single name but around literature as a process. Hence its strength — comparisons impossible in a house museum, and a fund of 700,000 items that makes such comparisons possible.

The permanent display Zubovsky 15: a house of science, literature and art, and the exhibitions on 20th-century Russian letters.

800 m from here · Zubovsky Boulevard 15, bldg 1 · ·
· No. 8
History · since 1896

Museum of Moscow

significant
Museum of Moscow
shakko, CC BY-SA 3.0 · Wikimedia Commons
A city museum — an ordinary genre in Europe — but the material is unique in scale: a million objects about one city. The value is also the Provision Warehouses by Stasov, a model Empire building rarely accessible from inside.

The permanent display History of Moscow: the archaeology of Moscow soil, town life, plans and views of the city by century. And the Provision Warehouses themselves, an Empire monument after Vasily Stasov.

850 m from here · Zubovsky Boulevard 2, bldg 7 · ·
· No. 56
House museums · since 1911

The Tolstoy Museum on Prechistenka

significant
The Tolstoy Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
The largest manuscript fund of any single writer in the world. The value is scholarly: you see how the text was made — Tolstoy rewrote a sentence ten times, and you can watch it happen. For the house he lived in, go to Khamovniki.

Manuscripts in Tolstoy’s hand, first editions, portraits and photographs of the writer and his family. The display follows the books, from Childhood to Resurrection.

1.0 km from here · Prechistenka 11/8 · ·
· No. 7
Literature · since 1957

The Pushkin Museum on Prechistenka

significant
The Pushkin Museum on Prechistenka
NVO, CC BY-SA 2.5 · Wikimedia Commons
There is no memorial Pushkin house in Moscow — he did not live here. The value is not authentic walls but a complete age: objects, books and portraits from which the Pushkin era can be reconstructed whole. For relics go to the Moika in Petersburg; for the era, here.

The permanent displays Pushkin and His Age (fifteen rooms of the manor house) and Pushkin’s Fairy Tales; first editions, portraits of his circle, everyday objects of the early 19th century.

1.1 km from here · Prechistenka 12/2 ·
· No. 2
Art · since 1969

The Tropinin Museum

significant
The Tropinin Museum
Andrei Raikin, Alexei Sidelnikov, Andrei Lobanov, CC BY 3.0 · Wikimedia Commons
The Moscow portrait of the first half of the 19th century is nowhere else so densely gathered. The value is also in the origin: Vishnevsky’s private collection given to the city, a model of how Russian museums came to be.

Portraits by Vasily Tropinin and his Moscow contemporaries, work by serf artists, Russian Biedermeier. The quiet Zamoskvorechye lane and the house itself are half the pleasure.

1.1 km from here · Shchetininsky Lane 10, bldg 1 · ·
· No. 31
House museums · since 1921

Tolstoy in Khamovniki

outstanding
Tolstoy in Khamovniki
Shuvaev, CC BY-SA 3.0 · Wikimedia Commons
A house in which nothing was reconstructed: the furnishings are its own, the objects are the family’s, and their placing follows an inventory taken while the owners were alive. There is no electric light here and never was — Tolstoy refused it on principle, so the rooms are lit as they were in his time, which for a house museum is almost unheard of. Anyone who has been to Carlyle’s House in Chelsea knows the effect and will find it carried further here: there the gas fittings survive, here there is nothing but daylight and a lamp. The literary display on Prechistenka answers the question of what he wrote; here the question answered is how he lived — and in his case that is the subject.

The study with its low chair, cut down to the short sight of its owner, and the writing table. Sofya Andreyevna’s room. The hall with the piano at which Taneyev and Rachmaninoff played. The cobbler’s bench — Tolstoy made his own boots. The garden, which has outlived the century along with the house.

1.2 km from here · Lva Tolstogo Street 21 ·
· No. 62
History · since 1991

The Museum of Patrons

for enthusiasts
The Museum of Patrons
Kotofey2016, CC BY-SA 4.0 · Wikimedia Commons
The only museum about where the Tretyakov Gallery, the Bakhrushin, the Shchukin and Morozov collections came from: about the people who paid for them. The subject runs through our whole list and is gathered nowhere else. What the Courtauld is to Britain — a private eye and a private purse turned into a public institution — the Moscow merchants were to Russia, several times over and within one generation. The rating is honest and not high: this is a private educational centre in an old merchant house, the holding is documentary and small, and there is no free entry at all, only by appointment. Come here after the great museums, having asked yourself whose money they stand on.

Documents, portraits and belongings of the Moscow merchantry of the nineteenth century. Material on the Tretyakov, Morozov, Bakhrushin and Shchukin dynasties. The house of Ivan Prostyakov, in which the museum lives.

1.2 km from here · Donskaya Street 9 · ·
· No. 79
Art · since 1856

The Tretyakov Gallery

world-class
The Tretyakov Gallery
A.Savin, CC BY-SA 3.0 · Wikimedia Commons
Russian art of the 11th to early 20th century is nowhere else assembled so fully — only the Russian Museum compares. But the canon was formed here: Tretyakov bought from living artists what he himself thought mattered, and one man’s private judgement became what we now call the Russian school. Seeing the 19th century elsewhere means seeing fragments.

Ivanov’s The Appearance of Christ Before the People in its own hall; Surikov’s Boyarynya Morozova and Morning of the Streltsy Execution; Repin’s Ivan the Terrible and His Son; Serov’s Girl with Peaches; Vasnetsov’s Bogatyrs; the icon halls. Rublev’s Trinity is no longer here: it was handed to the Church in 2023.

1.2 km from here · Lavrushinsky Lane 10 · ·
· No. 1
significant
The Tretyakov on Kadashevskaya
Ludvig14, CC BY-SA 4.0 · Wikimedia Commons
Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

1.2 km from here · Kadashevskaya Embankment 12 · ·
· No. 55
world-class
The Pushkin Museum of Fine Arts
user:Ghirlandajo, CC BY-SA 3.0 · Wikimedia Commons
The Louvre and the Metropolitan hold more originals; what is unique is Tsvetaev’s cast collection — the only large teaching museum of the history of art in the world still intact and still working as intended. In Europe such collections went into storage in the 20th century. Add the Fayum portraits and objects from Schliemann’s Trojan hoards.

The teaching collection of plaster casts after antique and Renaissance sculpture — Tsvetaev’s idea, unmatched for completeness; the Fayum portraits; objects from Priam’s Treasure found by Schliemann at Troy; the Egyptian collection. The French 19th–20th century is in the Gallery at Volkhonka 14, on a separate ticket.

1.4 km from here · Volkhonka 12 · ·
· No. 20

5 museums have no point set. They are not in this count.