Museums near The Victory Museum

Art · since 2015

The AZ Museum

significant

A one-artist museum, Anatoly Zverev, grown out of a private collection. Its value is not scale — the rooms are few and the works small — but the way of showing: an exhibition here is built as a statement, with sequence and light, rather than hung along the walls, and in Moscow that is rare. About Zverev himself an honest word is owed: an uneven artist, part of whose legacy rests on the speed of the hand rather than on depth, and his best things have to be picked out. The museum does not conceal this, which is why it is believed.

Painting and drawing by Anatoly Zverev from Natalia Opaleva’s collection. Exhibitions setting Zverev beside other artists of his circle. Work by Vladimir Nemukhin and other nonconformists.

7.2 km from here · 2nd Tverskaya-Yamskaya Street 20–22 · ·

· No. 73

History · since 1917

The Museum of Contemporary History

for enthusiasts

The collection is large, but the display is built ideologically and is unreliable as a source of knowledge — we say so plainly. The value is the building: this is the Moscow English Club, the one from the novels, and some objects such as the propaganda porcelain.

The building of the Moscow English Club — the club of Eugene Onegin and War and Peace, with the lions on its gate; Soviet propaganda porcelain; the collection of gifts to Stalin.

7.2 km from here · Tverskaya 21 · ·

· No. 28

Art · since 2024

The Tretyakov on Kadashevskaya

significant

Not yet a collection but an instrument: the first exhibition building in Moscow built to 21st-century museum standards — climate, light, spans. Its value is that things can now be brought here that could not be brought before.

There is no permanent collection — this is an exhibition wing. See the atrium, open without a ticket, and the façades: they carry reproductions of 34 works by Russian artists.

7.2 km from here · Kadashevskaya Embankment 12 · ·

· No. 55

Art · since 1856

The Tretyakov Gallery

world-class

Russian art of the 11th to early 20th century is nowhere else assembled so fully — only the Russian Museum compares. But the canon was formed here: Tretyakov bought from living artists what he himself thought mattered, and one man’s private judgement became what we now call the Russian school. Seeing the 19th century elsewhere means seeing fragments.

Ivanov’s The Appearance of Christ Before the People in its own hall; Surikov’s Boyarynya Morozova and Morning of the Streltsy Execution; Repin’s Ivan the Terrible and His Son; Serov’s Girl with Peaches; Vasnetsov’s Bogatyrs; the icon halls. Rublev’s Trinity is no longer here: it was handed to the Church in 2023.

7.3 km from here · Lavrushinsky Lane 10 · ·

· No. 1

Art · since 1969

The Tropinin Museum

significant

The Moscow portrait of the first half of the 19th century is nowhere else so densely gathered. The value is also in the origin: Vishnevsky’s private collection given to the city, a model of how Russian museums came to be.

Portraits by Vasily Tropinin and his Moscow contemporaries, work by serf artists, Russian Biedermeier. The quiet Zamoskvorechye lane and the house itself are half the pleasure.

7.4 km from here · Shchetininsky Lane 10, bldg 1 · ·

· No. 31

Architecture and estates · since 1955

The Kremlin Cathedrals

world-class

The iconostasis of the Annunciation Cathedral is linked with the names of Theophanes the Greek, Andrei Rublev and Prokhor of Gorodets: the chronicle for 1405 names them as the painters of this church, though whether the present icons are that same work is still argued. Such a conjunction of names exists nowhere else. And the difference from any museum of icons is one of principle: the things stand where they stood, in the light and the space they were painted for — as the glass at Canterbury is one thing in the window and quite another in a case. What is not here is explanation: the cathedrals carry almost no labels and are meant for someone who already knows, or who came with a guide.

The deesis tier of the Annunciation Cathedral. The frescoes of the Dormition Cathedral, 1642–1644, and its iconostasis; there too the oldest icons, brought to Moscow as the lands were gathered in. The tombs of the Moscow princes and tsars in the Archangel Cathedral, painted 1652–1666. The Patriarch’s Palace: applied art and the household of the seventeenth century.

The Mosco it selfe is great: I take the whole towne to bee greater then London with the suburbes: but it is very rude, and standeth without all order. […] There is a faire Castle, the walles whereof are of bricke, and very high…

Richard Chancellor, 1589 in full

7.4 km from here · The Moscow Kremlin, Cathedral Square (entrance through the Kutafya Tower) · ·

· No. 60

History · since 1806

The Armoury Chamber

world-class

A treasury formed by keeping rather than by collecting: things entered as the sovereign’s property or as an embassy gift, and so came through where in Europe they went to the crucible. English silver of the sixteenth and seventeenth centuries stands here more fully than in England itself — the royal plate at home was melted under the Commonwealth, while what had been sent to Moscow was never touched. Neither the Tower nor the Victoria and Albert can be as complete about that English century as this room in Moscow. There is no painting here at all: this is a chamber of objects.

The Cap of Monomakh and the double throne of the boy tsars Ivan and Peter. Tudor and Stuart silver, a holding with no equal anywhere. Fabergé Easter eggs. Icon covers, panagias and chalices of pre-Mongol Rus. The carriage rooms: coronation coaches of the eighteenth century.

7.4 km from here · The Moscow Kremlin (entrance through the Kutafya Tower) · ·

· No. 59

History · since 1872

The Historical Museum

world-class

A collection of material sources on Russian history unmatched for completeness: archaeology, numismatics, arms and manuscripts in one sequence, five million objects. And a rarity of another kind — Sherwood’s fully preserved Russian Revival interior, a monument in itself.

A dugout boat some 3,500 years old; the Mstislav Gospel of the early 12th century; the helmet of Prince Yaroslav Vsevolodovich; a Blaeu globe; personal belongings of Peter the Great. Look up: the halls themselves are painted after Old Russian models and count as an exhibit.

7.6 km from here · Red Square 1 · ·

· No. 6

History · since 1997

Museum of Moscow Archaeology

for enthusiasts

A museum built around what cannot be moved: the 16th-century bridge piers stayed where they were and the building went up over them. That method of display is rare, and it is the reason to go down.

The white-stone piers of the Voskresensky Bridge of the 16th to 18th century — the museum was built around them; coin hoards found in the city centre; the everyday things of medieval Moscow.

7.6 km from here · Manezhnaya Square 1a · ·

· No. 15

Unusual · since 1912

The Museum of Music

outstanding

One of the largest collections of musical instruments in the world and the only place in Russia where the instrument is shown as an object of history. One can go from horn and gusli to Murzin’s synthesiser, named with Scriabin’s initials — the machine on which the music for Solaris was written. Here too is kept the State Collection of unique instruments: Stradivari, Guarneri, Amati. The Horniman shows the instrument as ethnography and the Royal College of Music shows it as performance history; here both lines run in one room, and the electronic one continues them. One thing must be known: the collection is a working one, instruments are lent to musicians, and they are not always to be found in the case.

Instruments of the peoples of the world, from Russian gusli to the Japanese koto. The ANS synthesiser of Yevgeny Murzin, named with Scriabin’s initials. Autographs and manuscripts of Russian composers. The State Collection of stringed instruments, when it is in the museum.

7.6 km from here · Fadeyeva Street 4

· No. 65