National Gallery
Late Gothic winged altarpieces: whole altar cabinets lifted out of parish churches in Upper Hungary and set in one hall. Picnic in May by Pál Szinyei Merse, painted in 1873 and refused by his contemporaries. The room of Tivadar Csontváry Kosztka, with The Lonely Cedar and Pilgrimage to the Cedars in Lebanon. Yawning Apprentice by Mihály Munkácsy. Turn-of-the-century sculpture and Hungarian modernism: József Rippl-Rónai, Károly Ferenczy, Lajos Gulácsy.
30 minutes among the Gothic altarpieces. 25 minutes in the Csontváry room. 20 minutes for the nineteenth century, the Picnic in May and Munkácsy. 20 minutes for the turn of the century and the modernists. 15 minutes in the dome if the weather is clear.
Reference
| Mon–Sun today | 10:00–18:00 |
- Castle Museum 100 m from here
- Semmelweis Museum 400 m from here
- Jewish Museum 1.5 km from here
If Csontváry and Szinyei Merse leave you asking what the Hungarians measured themselves against, Europe’s old masters hang by Heroes’ Square.
If Hungarian painting has raised the question of the history behind it, the museum this gallery was separated from in 1957 stands on Múzeum körút: the Roman lapidarium of Pannonia, the gold of Avar graves, the History of Hungary in two parts.
If a national school gathered under one roof seems a rare thing, Moscow has such a house in Lavrushinsky Lane, and it too was gathered by one man.